Monday, 14 March 2016

List of props

For the video we needed only a few props which included:

A golf bat, so that are shown the main characters fondness of the sport, we see him also cleaning it showing he wants it kept in good condition as it is an item he is very fond of.

A golf ball


A vodka bottle
 

List of costumes

For the character of Will as he was meant to be of lower class when we had gotten an outfit from Ethan's wardrobe including a golf cap he owned as the character is meant to be a great lover of golf,we went down to a small green close to his house and smudged small amounts of mud onto the top and one side of his face showing the state in which he and his clothes are in.

Tuesday, 9 February 2016

Opening titles and credits

In films opening credits and titles are very common and can come either integrated or standard.

Some examples of integrated titles are:

Harry Potter:

In the opening we see the title come from behind one of the clouds

 

Zombieland:

The title is in 3rd and when the crow bar goes through the water sprinkler it breaks both the water and title apart



The girl with the dragon tattoo:

The title is submerged in dark liquid we assume is oil

 

Examples of none integrated titles are:

Pulp Fiction:

A simple opening and the title fades into the background with the rest of the credits appearing as a normal credits.



Jackie Brown:

Similar to Pupl Fiction the opening sees the character move along the shot and the title simply pops onto the screen.



Integrated titles are more complicated and usually can appear behind or in-font of another visual on the screen such as a building or a car. There is no official order in which titles will always show up in a film, recently some motion pictures babe actually not used opening credits and only display the movies title at the closing credits. Films such as the Star Wars franchise don't show opening credits they only show the films title.
The common opening credit order however is still:

  • Name of the studio
  • Name of the production company
  • Possessory credits
  • Starring 
  • Film's title 
  • Featuring 
  • Casting
  • Music
  • Production design 
Other possible credits could involve:

  • Set design 
  • Costumes
  • Hairdresser
  • Make up
  • Sound recording 
  • Visual effects director 

Also:

  • Edited by
  • Director of photography 
  • Producer 
  • Based on (true story, book)
  • Writers 
  • Director 



Monday, 1 February 2016

YOUTH script

Youth

By

Max Cochrane

Shooting script

EXT. LONDON. HAMMERSMITH BRIDGE. DAY

We see the Hammersmith Bridge with dark clouds in the sky, the title of the film slowly appears and then fades.

EXT. LONDON. HAMMERSMITH. DAY

We see several parts of Hammersmith the station, and the street, random pedestrians that walk by on their day.

INT. LONDON. WILL'S HOUSE. HAMMERSMITH. DAY 

Will wakes up slowly, gets dressed places his cap on and then opens his curtains, we see him take a deep sigh then enter his mothers room but before doing so he also grabs his golf bat and golf ball. We can see his mother asleep or passed out in her messy room with an empty bottle of vodka in her hand. Will carefully reaches onto her bedside table and steals a note from it perhaps to also prevent her using it to buy more drink, once he has taken the money he proceeds to exit the house.

EXT. LONDON. HAMMERSMITH. DAY

We see a few more shots of Hammersmith and then will quickly walking down his road after leaving his home before starting to walk looking mostly on the floor, he doesn't pay much attention to anybody. After a while we see how he is skilled with a golf bat and ball as he begins to do tricks with it and see shots of him playing golf in alley ways hitting them into cups and trying to do tricks with the golf balls, at one point he hits it much harder and manages to knock down one of the pieces of rubble he used as a target as he looks on with pride. We witness him wander around with his golf bat for a while longer before he returns home.

INT. LONDON. WILLS ROOM. DAY

We see Will watching videos of famous golfers and watching them play, as he watches we see him smile showing the audience he wishes to be one on day, as he watches he slowly looks up outside his window, as the scene is coming to an end we hear Wills mother call out his name in anger and him turn around startled and worried as the screen fades to black and the title "YOUTH" appears.

END


Friday, 29 January 2016

opening sequence first draft


audience feedback for first draft


Some of the things which I have been advised on it that:
  • The scenery shots were good however there are too many and I need to take some out.
  • It was odd that the boy is shown getting out of bed already in his clothes.
  • Some of the shots taken in the bed room were blurry and out of focus. These are the shots in which I am going to reshoot.
  • Wake up scene is overused so should taken out and replaced with him just getting ready and heading out.
  • I am also going to take some new shots of him watching and his mum shouting at him as I want the opening to have more conflict and excitement so to further hook the audience to watch more of it.


Tuesday, 26 January 2016

opening sequence conventions

1. List of generic conventions of opening sequences
2. Conventions of your specific genre
3. Conventions you will choose to stick to
4. Conventions you will deliberately subvert (change slightly/turn on their head)

1.
·      The purpose of a film opening is to entice the audience to continue watching the film, it should usually establish the characters and the genre and this can be done in many ways.
·      Establishing shot, it is often used in an opening sequence to show the audience where the film is set, what location.
·      Sometimes there can be a narration which will inform the audience on minor details that will give them an understanding of perhaps backstory, what is going on, who the characters are etc.
·      Often in action movies there will be an opening with an action scene, which will be fast paced to get the audience interested straight away.
·      Another thing that would usually be used in action movies would be a chase scene this also attracts audiences to watch as they become interested.
·      Productions logos shown before the actual film, if the film is high budget the logo will be adapted to reflect the genre and story line of the film.
·      Title sequences can be used, sometimes showing the cast and production teams, the titles can also be used to build up tension and suspense and possibly show the genre of the film.
·      Animation can be used to portray the beginning of the film in a creative way and visibly show the difference between the film itself and the opening sequence.
·      A compilation of photographs can be used for example in romantic films, it shows the audience the theme and relationships within the film.
·      Narrative content, this includes the context as well as the pace of the narrative increases as level of engagement increases.
·      Soundtrack, the tone, volume and tempo, which will generically start, quiet and slow-paced.

2. I am choosing drama for my opening sequence so the conventions for that are:
·       Exhibits real life situations with realistic characters, settings and stories.
·      Portrays journeys of the character development.
·      Intense social interaction.
·      Purpose of a dramatic story line is to move the audience emotionally.
·      Heart of drama is the conflict.
·      Conflicts include inner/outer realistic struggles depicting hardships, difficulty, and pain.
·      Audience can relate to the characters (preferred reading - Halls Theory)
·      Structure with climaxes and anti climaxes to keep the audience emotionally attached and the tension on-going
·      A form of realisation at the end/happily ending.

3. The conventions I will try to stick with are:
·      Exhibits real life situations with realistic characters, settings and stories.
·      Portrays journeys of the character development.
·      Purpose of a dramatic story line is to move the audience dramatically.
·      Conflicts include inner/outer realistic struggles depicting hardships, difficulty, and pain.

4. Conventions I will change will be:
·      Heart of drama is conflict
·      Audience can relate to characters

·      Intense social interaction